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SDS-70
Is A Patented And Trade Marked Process Employing Advanced Film Based 70mm Technology
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SDS-70
Image Quality Surpasses That Of All Prior Theatrical Film Systems
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Feature
Film Cinematic Story Telling Can Be Accomplished Using SDS-70 By The Director
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Impressive
Action Scenes Can Be Achieved Without The Use Of Special Effects
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Certain
Previously Released Feature Films Can Be Converted To The SDS-70 Exhibition System
Extending Their Theatrical Film Life
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No Costly
Theater Construction Is Required To Facilitate SDS-70
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The
SDS-70 Projection Equipment Can Fit Into Any Normal Size Projection Booth
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SDS-70
Presentations Deliver High Impact, Immersively Stunning Images That Are Unrivaled In
Commercial Cinema Exhibition And Is Accompanied With Eight Channels Of Uncompressed
Digital Audio
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The
Intensified Sense Of Reality Produced By SDS-70 Allows The Audience To Believe That
The Screen Has Disappeared And The Viewer Is Immersed Into The Picture
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SDS-70
Presents More Than Double The Image Information Presented With Conventional Films And Has
Almost Four Times The Image Area Of The Standard 35mm Wide Screen Frame
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SDS-70
Projects Images At 48 Frames Per Second. This Frame Rate Closely Replicates The Way We See
Real Life
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When
SDS-70 Is Projected Each Frame Is Presented Twice, Resulting In An Exhibition
Display Of 96 Images Per Second. When Films Are Shown In This Manner There Is No
Projection Flicker At Any Illumination Level
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The
Patented SDS-70 Projector Incorporates A Rock Steady Movement, There Is No
Perceivable Jump Or Weave On The Screen
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SDS-70
Screen Quality Is Significantly Superior To Electronic Cinema
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Kodak
Estar Prints Can Run For More Than 2000 Passes Without Any Discernable Wear
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The
SDS-70 Platter System Provides For More Than 2 Hours And Twenty Minutes Of
Un-Interrupted Screening
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The
Platter Can Accommodate Two Complete SDS-70 Feature Films
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Projection
Lamps Of Up To 10kw Can Be Used
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Screen
Illuminations Are Brighter Than Other Standard 24 Frame Systems, On A Fifty Foot Screen,
More Than Thirty Five Foot Lamberts Of Reflective Light Is Possible, Rather Than The
Normal 14 Or Less
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Aside
From Requiring Additional Film Stock Because More Frames Are Exposed, Production Costs Are
Basically On Par With Conventional Film Production And Significantly Less Than Imax
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Films
Produced In SDS-70 Yield High Resolution Pictures When Converted To Standard Film
Formats
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Conventional
24 Frame Motion Pictures Can Be Converted For SDS-70 Projection Allowing For Better
Image Quality And Higher Illumination Levels.
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Curved Or
Flat Screens Can Be Used With A Moderate Radius Being The Preference
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Eight
Channel Uncompressed Digital Sound Is Incorporated Into The SDS-70 Presentation
Through The Use Of A Double System SMPTE Coded Hard Drive Reproducer.
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Standard
Definition Or Digital High Definition Video Transfers Can Be Made From SDS-70 Film
Masters.
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